Mrs Margaret-Louise O'Keeffe, former Deputy Head - Pastoral at the College, is delighted to join us once again to delve into the life of Gustave Caillebotte: Impressionism’s Mystery Man.

This talk, which will be her last, is specifically in honour of Alex Darkes who is retiring after 45 years of service at Princethorpe, and also in celebration of the Arts Society which he co-founded in 1995.

Who knows Caillebotte? Where does he come from? In what school was he trained? No one has been able to tell me. All I know is that Caillebotte is one of the most original painters to have come forward in some time, and I am not afraid I shall compromise myself by predicting that he will be famous before long.

So wrote the critic, Marius Chaumelin, after first seeing Caillebotte’s striking works in the Impressionist Exhibition of 1876. The prediction was correct for Caillebotte did become famous, not just as an artist but as an indispensable organiser, financier and publicist of other Impressionist Exhibitions and then also as a  patron and collector. As a wealthy man who never needed to work thanks to his family’s fortune, Caillebotte kept most his paintings or donated them to friends and, ironically, this led to a long period of neglect when his innovative cityscapes, portraits, still-lifes and landscapes were not on public view.

The dramatic purchase by the Art Institute of Chicago of his sensational Paris Street: Rainy Day in 1964 changed everything and led to a revaluation of his work. Before then, he was best known for the ultra-generous donation to the French state of major Impressionist works he had purchased, a donation which required his executors to negotiate patiently to persuade some intransigent officials to accept them.

This talk will illustrate the intriguing oeuvre of this unusual character, so aware of his own mortality, who died aged 45 in 1894.